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14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 30 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
Key Features
The Cherry Audio ODC 2800 is an exceptionally accurate plugin recreation of three ARP Odyssey synthesizers. It combines precise circuit modelling with modern enhancements to offer a powerful sound design experience for music producers, synth enthusiasts, and scoring professionals.
With exact emulations of the Mk I 2800, Mk II 2810, and Mk III 2820, the ODC 2800 delivers all the tonal character of the original instruments, complete with matching UI panel designs. It expands on the original hardware with three oscillators, extended modulation routing, smart portamento and advanced filter options. Modulation is highly customisable, with multiple LFOs, assignable FM paths, and two ADSR envelopes with velocity sensitivity. Plus, an integrated suite of pedal-style effects lets you shape your sounds further, including distortion, phasing, chorus, delays, and reverbs. With support for mono, duo and polyphonic play modes, as well as velocity and polyphonic aftertouch, the ODC 2800 adapts smoothly to any workflow, whether live or in the studio.
Product Ref: 340699
The ODC 2800 faithfully recreates all three iconic versions of the ARP Odyssey, combining their most sought-after sonic traits into one flexible instrument. Each of the Mk I, Mk II, and Mk III models is available as a separate UI panel, complete with corresponding VCF circuits and panel layouts. Whether you’re after the raw punch of the 2800’s 2-pole filter, the smooth roundness of the 2810’s 4-pole ladder design, or the precision of the 2820’s 4-pole cascade filter, the ODC 2800 gives you direct access to each with selectable filter types and gain compensation features. For added authenticity, drift controls for VCO, VCF and EG recreate subtle tuning and behaviour shifts common in analogue circuits. All of this sits within a highly visual interface that not only mirrors the look of the originals, but also enhances usability with Cherry Audio’s UI lock and zoom features.
While staying true to its roots, the ODC 2800 brings in powerful modern features. It adds a third VCO, each with multiple waveforms, quantise functions, and flexible routing as well as three independent FM modulators per oscillator. These allow for advanced techniques like ring modulation and cross-mod between oscillators. Modulation paths are highly assignable, with 35 mod sources and 33 destinations available across the synth's mixer, VCOs, VCF, and VCA. Additional tools like a sample-and-hold mixer, dual LFOs with key sync and polyphonic modes, pulse width shaping, and custom pitch bend via PPC all contribute to a deeper and more responsive playing experience. Whether you're building vintage textures or evolving digital soundscapes, this synth has the tools to deliver both.
The ODC 2800 is tailored for both keyboard players and studio-based producers. It offers monophonic, legato, duophonic, and polyphonic modes with up to 16 voices and unison. This allows for everything from sharp lead lines to lush, stacked chords. Smart portamento includes delay settings per oscillator, and velocity and aftertouch, including polyphonic aftertouch, are fully supported when paired with compatible controllers. You’ll also find three assignable aftertouch paths, each with 24 destination options for responsive modulation. Real-time tweaks are easy thanks to full MIDI and DAW automation support across every control, and MIDI Learn simplifies mapping external gear. All parameters can be saved at a global or preset level for fast recall. For standalone use, the plugin includes a full-featured instrument version, letting you run it outside your DAW environment with the same high-quality sound and performance capabilities.
With its built-in effects panel, the ODC 2800 removes the need for external processing. You get distortion and EQ, a dual-stage phaser, flanger/chorus, three delay types, and five different reverb options, all with high-quality sound and full modulation capability. Each effect includes easy-access sliders for dry/wet mix, modulator depth, and solo functions. You can switch effects on and off individually or globally, and stereo width is also adjustable. A dedicated effects LFO offers six waveforms and delay control for creative rhythmic modulation of your effects chain. This design is ideal for sculpting anything from subtle ambience to heavily-processed textures. Combined with over 330 factory presets across 13 categories, the ODC 2800 provides a complete sound design environment with vintage tone, modern tools, and a seamless workflow all in one plugin.
