RME Fireface 802 FS - 192 kHz USB Audio Interface - Secondhand

Full Description

High-end audio fidelity with four transparent preamps

Combining high-end analog circuitry with cutting-edge digital conversion technology, the Fireface 802 FS' balanced TRS and XLR I/Os, along with the headphone outputs, deliver exceptionally low noise and distortion values. With A/D and D/A converters operating at up to 192 kHz, high dynamic range playback is guaranteed. The interface's superior SteadyClock FS ensures state-of-the-art AD/DA conversion, even when using an external clock source.

Equipped with four transparent preamps, the Fireface 802 FS ensures pristine sound quality for microphones and instruments. These preamps incorporate low-latency converters and are based on the high-end OctaMic II preamp technology. They offer minimal distortion, a high signal-to-noise ratio, and a linear frequency response, making them suitable for a wide range of applications. The front inputs can also function as Hi-Z inputs, allowing direct connection of guitars and other instruments without the need for additional hardware.

Exceptional flexibility with high-end clock technology

The RME Fireface 802 FS is an exceptional USB audio interface that will take your recording setup to new heights. With ultra-low latency operation and RME's renowned driver stability, this interface ensures professional-grade performance. The included SteadyClock FS technology provides jitter suppression for crystal-clear audio. Plus, the Fireface 802 FS offers full stand-alone functionality and works seamlessly on both Windows PC and Mac.

The Fireface 802 FS boasts a newly developed analog and digital board, delivering enhanced performance and advanced features. The analog board offers DC-coupled analog outputs and state-of-the-art AD and DA converters. On the digital board, you can find updated high-tech components that enable exciting new functionalities.

Wide range of connectivity options including headphone outputs

The front panel of the Fireface 802 FS is equipped with four high-performance XLR/TRS combo inputs. These inputs can handle microphone, instrument, and line signals with ease. Additionally, two stereo headphone jacks with +17 dBu output level provide ample volume even for hi-impedance headphones.

At the rear panel, you'll find a wide range of connectivity options on the Fireface 802 FS. MIDI and Word Clock I/O, two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analog inputs and outputs with line level are all available. The updated Multi-Mode even allows the ADAT I/Os to function as separate optical SPDIF inputs and outputs alongside the AES I/O. For added convenience, a USB A port is provided for direct connection to the optional ARC USB.

DC-coupled line-level outputs make the Fireface 802 FS ideal for controlling modular synthesizers and other studio hardware. Unlike AC-coupled outputs found on many other interfaces, the DC-coupled outputs ensure that control voltages (CV) and Gate information can be accurately transmitted to modular synths, such as Eurorack and Moog/MOTM/Synthesizers formats.

Complete with software bundle including TotalMix FX DSP Mixer

The Fireface 802 FS comes bundled with powerful applications for mixing, monitoring, and measurement. The TotalMix FX DSP mixer offers comprehensive routing and monitoring options, allowing you to create multiple latency-free monitor mixes with EQ, dynamics, reverb, and delay. The interface also includes the DigiCheck Analyzer, which enables precise measurement and analysis of the digital data feed in both directions.

Class-compliant design

Operating in both driver-based USB 2 and Class Compliant modes, the Fireface 802 FS offers flexibility and compatibility. The Class Compliant mode is natively supported by operating systems like Windows, Mac OSX, and Linux. No proprietary drivers are required, resulting in hassle-free recognition of the device. This interface supports USB 2.0 in Class Compliant Mode, allowing for driverless operation on Linux, Mac, and iPadOS.

ARC USB remote control (not included)

For convenient control over the Fireface 802 FS, you can connect the optional ARC USB. This USB 1.1 MIDI remote control directly interfaces with the TotalMix FX software, providing 15 assignable and illuminated buttons, an encoder wheel, and a foot switch jack. The ARC USB is compatible with both Windows and Mac OS X, and TotalMix FX will automatically detect and communicate with it for easy control of the interface.

The Fireface 802 FS can be configured and controlled directly via iPad, MIDI remote, or ARC USB. With 6 memory slots for permanent configuration storage, the interface can operate independently from a computer. It can even transform itself into different devices with a simple button press, thanks to its stand-alone operation feature.

What's Included

• Fireface 802 FS
• Cable USB 2.0, 1.8 m (6 ft) USB-A/B
• Power cord
• Manual
• 1 optical cable (TOSLINK), 2 m (6.6 ft)
• 4 rubber feet, self adhesive

Features

• All settings can be changed in real-time
• Selectable buffer sizes/latencies from 48 up to 8192 samples
• 8 channels 96 kHz/24 bit Record/Playback via ADAT optical (S/MUX)
• 4 channels 192 kHz/24 bit Record/Playback via ADAT optical (S/MUX4)
• Master and slave clock modes
• Automatic and intelligent master/slave clock control
• Unsurpassed Bitclock PLL for audio synchronization in ADAT mode
• SteadyClock feature for a jitter-immune, super-stable digital clock
• DDS technology allows for free setting of the sample rate
• SyncAlign feature guarantees sample aligned and non-swapping channels
• SyncCheck feature tests and reports the synchronization status of input signals
• TotalMix allows for latency-free submixes and perfect ASIO Direct Monitoring
• TotalMix: 1800 channel mixer with 46 bit internal resolution
• TotalMix FX includes 3-band EQ, Low Cut, Reverb, Echo, Compressor, Expander, and Auto Level
• MIDI I/O supports 16 channels of high-speed, low-jitter MIDI
• Includes 2 high-power, low impedance headphone outputs
• DIGICheck DSP provides a hardware level meter, peak, and RMS calculation

Specifications

Analog

• Input: 6.3 mm TRS, electronically balanced
• Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA
• Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA
• Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz
• Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz
• Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz
• Filter: Short Delay Sharp, 5 / 5 / 6 samples delay
• THD @ -1 dBFS: < -120 dB, < 0.0001 percent
• THD+N @ -1 dBFS: < -110 dB, < 0.00032 percent
• Channel separation: > 110 dB
• Maximum input level: +19 dBu
• Input: 6.3 mm TRS jack, electronically balanced
• Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced
• Input sensitivity switchable between Lo Gain and +4 dBu
• Input level for 0 dBFS @ Lo Gain: +19 dBu
• Input level for 0 dBFS @ +4 dBu: +13 dBu
• Variable digital gain: 0 to +12 dB
• Minimum level for 0 dBFS: +1 dBu, -1.2 dBV

• Input: XLR, electronically balanced
• Input impedance: 3.4 kOhm
• Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
• Gain range: 54 dB
• Maximum input level, Gain +6 dB: +10 dBu
• Maximum input level, Gain +60 dB: -44 dBu
• CLIP LED: 0 dBFS
• SIG LED: -42 dBFS

• Input: XLR, electronically balanced
• Input impedance: 3.4 kOhm
• Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
• Gain range: 54 dB
• Maximum input level, Gain +6 dB: +10 dBu
• Maximum input level, Gain +60 dB: -44 dBu
• CLIP LED: 0 dBFS
• SIG LED: -42 dBFS

• Output: 2 x 6.3 mm TRS stereo jack, unbalanced
• Maximum output level at 0 dBFS: +17 dBu
• Max power per channel @ 32 Ohm load, 0.02 percent THD: 200 mW (2.5 Vrms, +10 dBu)
• Signal to Noise ratio (SNR): 116 dB (AES17), 118 dBA
• Output impedance: 2 Ohm

• 6.3 mm TRS jack, servo-balanced
• Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA
• Signal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA
• Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA
• Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz
• Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz
• Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz
• THD+N: < -110 dB, < 0.00032 percent
• Channel separation: > 110 dB
• Output level switchable Hi Gain, +4 dBu, -10 dBV
• Output level at 0 dBFS @ Hi Gain: +19 dBu
• Output level at 0 dBFS @ +4 dBu: +13 dBu
• Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
• Output impedance: 75 Ohm

MIDI

• 1 x MIDI I/O via 5-pin DIN jacks
• Galvanically isolated by optocoupled input
• Hi-speed mode: Jitter and response time typically below 1 ms
• Separate 128 byte FIFOs for input and output

Digital

• Clocks: Internal, ADAT In, AES In, SPDIF In, Word Clock In
• Jitter suppression of external clocks: > 50 dB (> 1 Hz)
• Effective clock jitter influence on AD and DA conversion: near zero
• PLL ensures zero dropout, even at more than 100 ns jitter
• Digital Bitclock PLL for trouble-free varispeed ADAT operation
• Supported sample rates: 28 kHz up to 200 kHz

Digital Inputs

• 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
• High-sensitivity input stage (< 0.3 Vpp)
• SPDIF compatible (IEC 60958)
• Accepts Consumer and Professional format
• Lock range: 27 kHz – 200 kHz
• Jitter suppression: > 50 dB (> 1 Hz)

• 2 x TOSLINK, format according to Alesis specification
• Standard: 2 x 8 channels 24 bit, up to 48 kHz
• Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
• Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
• Bitclock PLL ensures perfect synchronisation even in varispeed operation
• Lock range: 31.5 kHz – 50 kHz
• Jitter suppression: > 50 dB (> 1 Hz)

• 1 x optical, according to IEC 60958
• Accepts Consumer and Professional format
• Lock range: 27 kHz – 200 kHz
• Jitter suppression: > 50 dB (> 1 Hz)

• BNC, not terminated (10 kOhm)
• Switch for internal termination 75 Ohm
• Automatic Double/Quad Speed detection and internal conversion to Single Speed
• SteadyClock guarantees super low jitter synchronization even in varispeed operation
• Not affected by DC-offsets within the network
• Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
• Overvoltage protection
• Level range: 1.0 Vpp – 5.6 Vpp
• Lock Range: 27 kHz – 200 kHz
• Jitter suppression: > 50 dB (> 1 Hz)

Digital Outputs

• 1x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
• Output level Professional 4.2 Vpp, Consumer 2.4 Vpp
• Format Professional according to AES3-1992 Amendment 4
• Format Consumer (SPDIF) according to IEC 60958
• Single Wire mode, sample rate 28 kHz up to 200 kH

• 2 x TOSLINK, format according to Alesis specification
• Standard: 2 x 8 channels 24 bit, up to 48 kHz
• Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
• Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz

• Format Consumer (SPDIF) according to IEC 60958
• Sample rate 28 kHz up to 200 kHz

• BNC
• Max. output voltage: 5 Vpp
• Output voltage @ 75 Ohm termination: 4.0 Vpp
• Output impedance: 10 Ohm
• Frequency range: 27 kHz – 200 kHz

General

• Power supply: Internal switching PSU, 100 - 240 V AC, 30 Watt
• Idle power consumption: 15 Watt
• Typical power consumption: 22 Watt
• Dimensions including rack ears (WxHxD): 483 x 44 x 242 mm (19" x 1.73" x 9.5")
• Dimensions without rack ears/handles (WxHxD): 436 x 44 x 235 mm (17.2" x 1.73" x 9.3")
• Weight: 2.8 kg ( 6.2 lbs)
• Temperature range: +5 degrees up to +50 degrees Celsius (41 degrees Fahrenheit up to 122 degrees Fahrenheit)
• Product Code: RME-FIREFACE-802-FS